This February, the Midtown Scholar Bookstore is pleased to welcome acclaimed local poets Zetta Elliot and Chet'la Sebree to Harrisburg as they present their new poetry collections, Say Her Name (Elliot), and Mistress (Sebree).
This event is free and open to the public. Book signing to follow discussion.
About Say Her Name:
Inspired by the #SayHerName campaign launched by the African American Policy Forum, these poems pay tribute to victims of police brutality as well as the activists insisting that Black Lives Matter. Elliott engages poets from the past two centuries to create a chorus of voices celebrating the creativity, resilience, and courage of Black women and girls.
This collection features forty-nine powerful poems, four of which are tribute poems inspired by the works of Lucille Clifton, Audre Lorde, Nikki Giovanni, and Phillis Wheatley.
This provocative collection will move every reader to reflect, respond-and act.
About Mistress:
This book of poems presents a cross-generational conversation between Sally Hemings and the contemporary narrator about what it means to be a black woman in their respective landscapes, while at the same time demonstrating how little the ways in which we talk about black women and black female experiences have changed in more than two hundred years. In these poems, the speakers engage with historical texts, art, literature, and popular culture, while never allowing us to lose sight of their location within their own settings, the twenty-first century and the antebellum South.
With an intentionally fraught title, Mistress not only addresses the ways in which that word is perhaps inappropriate to define Hemings, but also about how we tend to oversimplify the ways in which we see women. The title is investigated through a series of poems, in which the speakers contemplate the various definitions of “mistress”: extramarital partner, skilled individual, school teacher, authority figure, head of household, etc. In this way, the collection asks readers to complicate their understandings of both the word “mistress” and of black women. This collection seeks to resurrect Hemings from the limited historical narrative she’s often provided, while also bucking up against the limited ways in which black women are currently represented in popular culture. Through a series of poems with “mistress” in the title, the book looks at how narrowly we use the word, almost exclusively as extramarital partner, but how the word’s different definitions are related to power and strength. When we strip the term of its positive connotations, it mirrors the way that we strip Hemings of the agency she had over her life and the lives of her children.
